Timothy McCoy creates images in order to transform the “reality” seen through the camera lens into an expression of the oneness and wonder found in Taoist/Buddhist philosophy. These photographs are meditations on the constant and inevitable change in nature. The flow of water is one object of this contemplation. The flow of water and the human journey have parallels. According to Eastern philosophy, mankind’s resistance to transformation leads to suffering.
Selected photographs from three bodies of his work emphasize “alternative” photographic processes Tongues Turned to Stone (photogravure on gamphi-shi paper), Sanctuary (palladium on translucent vellum), and Long, Long Journey to the Sea (gold-toned albumen). He chose these historical printing processes to evoke the timelessness of his content and his interpretive rather than documentary intent.